I don’t know why, but for some
bizarre, baroque, balmy and breezy reason the Acapulco Hilton became the “magnet”
for quite a few significant situations during my lifetime, including “the”
experience which is the excuse for the writing of this manuscript. I've lost
count of how many times I’ve been to Acapulco, but onhy because I was born in
Mexico City in 1956 to a middle class family. Back then, and all through the
sixties and seventies, Acapulco was the favorite and closest vacation spot for
“chilangos” as Mexico City dwellers are now called; so naturally I went there
many times as a child with my family: parents, cousins, aunts and uncles,
etc. And, curiously enough, many other
times during my puberty and early teens with my grandmother and my “cousin”
Carlos and his father, who piloted a small one motor Cessna. Not that we ever
stayed at the Hilton; that treat was reserved for the rich and famous.
I don’t remember, but according to my
mother, the first time I ever saw the sea was in Acapulco as a toddler; I hit
the beach running, towards the sea, with my Mom in tow, the chase culminating
in a broken toe for my mother and me stopping short of the surf’s edge, in awe.
The last time I saw the sea, a few weeks ago, was in Acapulco.![]() |
| Lalo and Alda Villacorta Olivares |
The port became increasingly important and fell prey to more and more pirate raids, (including Sir Francis Drake’s) until the Spanish built the Fuerte de San Diego, a bastion with 22 cannons.
After Mexico’s Independence, the bay was virtually forgotten, until it was “rediscovered”, supposedly by the Prince of Wales, in the 1920's. From then on it evolved into a getaway for Hollywood stars and celebrities like Johnny Weissmuller, Frank Sinatra and Elizabeth Taylor. Even John F. Kennedy and Jackie honeymooned there!
By the time I was born, Acapulco was one of the foremost, glitzy, glamorous and exotic spots for "jetsetters” all over the world, as is mentioned in the song composed by Jimmy Van Heusen, with lyrics by Sammy Cahn, “Come Fly With Me”, in Sinatra's classic and superb interpretation.
Eduardo Olivares Bari

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